Showing posts with label 2011. Show all posts
Showing posts with label 2011. Show all posts

Thursday, September 8, 2011

New York 2001 9 11 - Mona Eltahawy Reuters

9/11 anniversary casts shadow for Muslims:author

Thu Sep 8, 2011 6:30am GMT
By Pauline Askin
This is surreal. A Reuters interview with me. I used to be a Reuters correspondent.Mona.

SYDNEY, Sept 8 (Reuters) - The approaching tenth anniversary of the September 11 attacks is casting a long shadow for U.S. Muslims, many of whom are dreading the approaching anniversary because they fear a resurgence of prejudice and hate, said author Mona Eltahawy.
Egyptian-born but U.S.-based, Eltahawy said the attacks on New York and Washington were a shocking and negative introduction to Islam for many in the United States, compounding the difficulties for Muslims already struggling with their identities in the diverse, secular nation.
Despite the fact that African American Muslims had been in the nation since slavery days, public awareness of Muslims in general had remained low.
"A lot of Americans were totally unaware of what a Muslim is until 9/11. The first introduction to Islam was a very negative one," Eltahawy said from Melbourne, where she attended the Melbourne Writer's Festival.
"Now that we're coming up to the tenth anniversary of 9/11, it's a time to say we're here and we're not going anywhere, we're Americans and Muslims too. It's been a difficult ten years and a lot of us are dreading this tenth anniversary because it brings out a lot of hate and prejudice."
Eltahawy, a former news agency journalist turned essayist and columnist, left the security of an office job for the hazards of freelance work just around the time of 9/11.
While she didn't personally experience any hostility, which she attributed largely to the fact that she doesn't wear a head scarf or "look Muslim," the heated atmosphere -- and all the years since -- have made her question what that phrase actually means.
One of her biggest struggles is to break the stereotype that conservative equals authentic.
"I identify as a liberal progressive secular Muslim. One of the messages I try to convey is I'm just as authentic as a conservative Muslim," she said.
"When you think Muslim women, you think women in a head scarf or a women like me. There isn't just one way to think of what a Muslim women is, there's a diversity of appearances and a diversity of voices," she said.
But the last ten years, from 9/11 to the Arab Spring this year that saw the overthrow of long-term Egyptian leader Hosni Mubarak, have been exciting and professionally satisfying.
Among some of the biggest and most interesting changes have been the emergence of social media such as Facebook and Twitter, both of which were highlighted during the upheavals in Egypt and elsewhere across the Mideast this year.
Terming them "a great connector," she said such services had played a key role in spreading information, to the extent that she now finds Twitter her number one news source.
"Social media has given us a front row seat to revolutions in various parts of the region but they did not create those revolutions," she said.
Putting too much weight on the role of social media risks devaluing the participation of millions of people, she added.
"These are most definitely not social media revolutions. To say they were social revolutions removes agency and courage from all those people who went out on the streets and faced, whether it was the Mubarak regime security thugs ... or what we saw happening in Libya." (Editing by Elaine Lies)
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Monday, May 30, 2011

Gaza Tel Aviv-Yafo 2011-2009 Lawrence Wright New Yorker

The Human Scale  
2011-04-04
The Cameri Theatre of Tel Aviv hosts The New York Public Theatre with the one-man play:

The Human Scale 
Written and performed by Lawrence Wright
Director: Oskar Eustis
Lighting: Deb Sullivan; Video design: Aaron Harrow; Sound: Matt Hubbs; Scenic consultant: David Korins

In the spring of 2009 Pulitzer prizewinning journalist Lawrence Wright of The New Yorker approached the magazine's editor, David Remnick, and asked if he could write an article about the likelihood of peace between Israel and the Palestinians. Most editors would have jumped at the chance of publishing an article by such a well known and admired writer, and on this particular subject - but The New Yorker wasn't crazy about the idea. "I wanted to write about the prospects of a two-state solution," Wright said in an interview, "but David didn't seem too excited. He said, ‘Why don't you write about Gaza?'"
So began Wright's trip to the region in the summer of 2009. The result was a 12,000-word story published in The New Yorker in November, at the height of the controversy over the Goldstone report, which concluded that both Israel and Hamas committed war crimes in the course of Operation Cast Lead.

That article, entitled "Captives: What really happened during the Israeli attacks," has been transformed into a one-man play, written and performed by Wright, in a co-production with The Public Theater and 3-Legged Dog.
The Human Scale, directed by The Public Theatre's artistic director Oskar Eustis, gained critical acclaim in the United States. In it Wright presents his worldview on the Israeli-Palestinian conflict in recent years, and explains how the parties reached the present impasse which he argues began with the abduction of IDF soldier Gilad Shalit.
Like the article, the play sheds new light on both parties. "There's a dehumanization of the other side that makes it impossible to see things from another perspective," Wright said. "My goal was to try to enlarge the vision of both sides."
"In this efficient and engrossing 90-minute seminar on history both current and ancient, Mr. Wright trains his understandably wary attention [...] on the conflict between the Israelis and the Palestinians With a scholarly but sympathetic manner and a soothing voice that has just a hint of a Texas twang in it, Mr. Wright sheds a sharp light on this sorrowful subject, drawing on his own visit to Gaza."
The New York Times
The play will be performed with English with Hebrew sur-titles
Duration: 90 minutes with no intermission.
18-21 May - Cameri 4